Quick Tip: Create Your Own Daguerreotype in Photoshop

Quick Tip: Create Your Own Daguerreotype in Photoshop

Tutorial Details
  • Requirements: Long exposure shot, Photoshop, Metallic paper (optional)
  • Difficulty: Beginner
  • Completion Time: 30 Minutes

In today’s Quick Tip tutorial, we’ll teach you how to create your own daguerreotype style image in Photoshop. A daguerreotype was the first publicly announced type of photographic process, created in 1839, and many of its classic characteristics can be recreated today in our favourite graphics editing app.


What Is a Daguerreotype?

A daguerreotype was the first publicly announced type of photographic process, created in 1839 by a couple of French scientists. Here is a watered down version of the quite complex process:

  • Step 1: Polish and buff a silver-coated copper plate.
  • Step 2: Sensitize the plate by exposing it to iodine and bromine fumes.
  • Step 3: Load the plate into the camera (completely light proof)
  • Step 4: The subject was placed in front of the camera and the pose is held using clamps and stands.
  • Step 5: The protective slide is removed and then finally the lens cap was taken off.
  • Step 6: Wait for 15-30 minutes for the image to be exposed (in 1841 this was reduced to 20-90 seconds)

Problems Faced in Photoshop

Due to the long exposure of a daguerreotype, we need to make our photos look blurred in the correct places. For example, water features would be a silky white colour. We will also have to manipulate our photo onto some sort of a metal plate surface as well as create the correct chemical staining – often a orangey colour.

Real daguerreotypes are actually very shiny and therefore digital copies are often hard to re-create.

daguerreotype photoshop

Image shot by Katwhitman


Step 1. Shoot Your Image

For this tutorial I am using the stock by telegram of London’s Tower Bridge. If you are going to shoot your own, there are a few things to consider.

Most importantly, shoot a long exposure. Having to edit water or the sky into looking like a long exposure is often hard work, save yourself hours by shooting a little longer. Secondly don’t worry about the colour. You are going to change it to black and white anyway.

If you are shooting a landscape, remember that people are unlikely to have stood in the same place and therefore in the cameras "eyes" will be invisible. If you have people in your photograph I would suggest cloning them out at the outset.

daguerreotype photoshop


Step 2. Open Up Photoshop

Load your Photo into Photoshop. If your image is in colour then simply convert it via Layer > New Adjustment Layer > Black and White.

daguerreotype photoshop


Step 3. Adding a Metal Texture

When shooting a real Daguerreotype, you would have shot the image onto a silver surface. Therefore we need to add the surface scratches that the plate would have most likely occurred over the years.

I found an amazing site called Mayang’s textures, it contains over 3600 textures in which you can use in your designs. Please read the FAQ for questions on usage and licensing.

Another great resource is GraphicRiver which there are some fantastic packs including these two:

Make sure the texture is black and white and then simply place your texture over the image and then play around the layer modes. Overlay, soft light or screen I found worked best depending on the texture. You might also have to play around with the opacity.

daguerreotype photoshop

Step 4. Add a Photo Filter

If you look at a daguerreotype gallery you will notice that most, if not every, picture seems to have a slight sepia tone to them. Therefore I add a warming photo filter. You can find it under Layer > New Adjustment Layer > Photo Filter. Often the default filter is the warming filter and is perfect. You may wish to turn down the opacity.

daguerreotype photoshop


Step 5. The Edges

When dealing with chemicals, often the edges of the image became stained. This again was often an orange or blue colour, due to the oxidation of the silver plate.

So on a new layer using a large soft brush, paint some orange circles (#ff9700). Reduce the opacity to between 10-30%. Then repeat this again with a blue colour. Remember that this staining would be more intense in certain areas than others. It was certainly not even.

daguerreotype photoshop


Step 6. Add a Photo Filter

I also noticed a large number of real daguerreotypes contain a light vignette. In order to add your own, simply create a new layer and then go Image > Apply Image. Then go Filter > Lens correction. Under the custom panel you should find the vignette tool. Simply play around with the sliders until you are happy.

daguerreotype photoshop


Step 7. Printing

Now this stage is really optional. If you want to make your design look completely real I would suggest following it through. First of all, purchase some metallic paper, I would suggest Kodak Professional Endura Metallic VC Digital Paper. The only problem is that the paper is very expensive and very hard to get hold of. I found a typical roll of paper would set you back between $100-200.

In addition, finding a high quality printer that wouldn’t smudge is also a problem. Overall if you don’t own the greatest printer, you might be better just asking an external company to do everything for you. I found that companies charge from around $10+ per image depending on size.

daguerreotype photoshop


Thanks for Reading!

Compared to the original process, everything is obviously much safer in Photoshop (no horrid chemical spills guaranteed!)

Feel free to post up your results – we’d love to see what you come up with.

Tags: Tips
  • http://pacha.shimansky.ru/ Pavel Shimansky

    That tut is awesome!
    That’s my result by the way
    http://s008.radikal.ru/i305/1102/a9/a11ea5026ea9.jpg

    • http://www.scottlawphotography.com/ Scott

      I have to say you did a very nice job on this. I personally think it is better than the examples shown by the author of the article. One problem however, as far as appearing to be authentic, The lights. There just wasn’t anything in the world that would have been lit like this until several decades after daguerreotypes were a pretty much history. But, as I said, ignoring that it is a really nice job.

    • http://www.peewee1002.co.u Peter Sawyer
      Author

      I really like your result and do agree with Scott below, I also prefer your image to mine.

      I disagree on the fact about the modern lights….. some people do still shoot daguerrotypes the old fashion way (or try to) and therefore could have modern objects in the image…..

    • http://pacha.shimansky.ru/ Pavel Shimansky

      Thank you, guys, so much! I really appreciate that!

  • http://www.cdags.org Alan

    The daguerreotype example you have shown here (of the gardens of the George Eastman House) is a poorly made modern plate, probably from a workshop and not indicative the process. They don’t tend to have a “orangey” colour and staining you describe. Daguerreotypes don’t fade but like silverware, tarnish. This oxidation often happens from the edges inwards as it is the interface between the spacer mat and the plate (spacing the cover glass from the plate) where air (with pollutants) moves in and out of the plate package. This is not to do with chemicals used in the image processing. The blue hues are solarization which is the product of intense overexposure int he highlight areas of the image.
    Plates are polished to a high mirror polish and the buffing lines usually go with the horizon and are not visible in reproductions.
    Any image on a paper substrate is going to look like just that, hard images (on silver or glass) are a world away from it. Only on screen with digital deception will you be able to approximate the look of an on screen reproduction of a fine daguerreotype. To see the real deal of contemporary daguerreotype making visit cdags.org.

    • http://peewee1002.co.uk Peter Sawyer
      Author

      Thank you for your input, its extremely interesting.

      The website also has some good content.

      Thanks!

  • Vivian
    • http://www.scottlawphotography.com/ Scott

      Nice job on this. Perfect subject as it is already old, and your treatment really adds to the historicity of it. Nice job.

  • Jennifer H

    Here is my take on it.. the only thing I did a little different is it used a crackle background….

    http://a3.sphotos.ak.fbcdn.net/hphotos-ak-ash4/312291_2386850841127_1546480865_3700843_1613886040_n.jpg

  • rob

    Hi,
    Thanks so much for sharing, I can’t wait to try this evening!!!

  • http://sterlingstudiosinc.com Gavin Anderson

    Thanks for the great tutorial. I liked it much better than some others I have found.

    Here is my experiment, from a photograph of Civil War Reenactors at the Battle of Shiloh Sesquicentennial, before the battle.

    http://www.flickr.com/photos/claidhemdanns/7063495699/in/photostream/lightbox/

  • http://www.facebook.com/blaukaitis Brian Laukaitis

    Okay….this was seriously great on it own, but you showed me one thing I didn’t know.

    “Image > Apply Image”

    THANK YOU…you have just solved a yearlong headache for me on another project!