Quick Tip: 2 Split Toning Techniques in Adobe Photoshop
Tutorial Details
- Difficulty: Beginner
- Completion Time: 5 Minutes
- Requirements: Photoshop CS4 or later
In today’s Quick Tip, we’re going learn how to create a split toning effect in Photoshop in two extremely simple ways. We’ll also be sharing a Photoshop action for you to download and use yourself!
What Is Split Toning?
Split toning is an old film effect where the image comes out somewhere between black & white and colour. Often, when film photographers decided to use sepia toning, they found their image to have not completely bleached and this left a multi toned style image which was given the name split toning.
Nowadays it is a desired effect amongst digital photographers and can be created using almost any digital editing software. Today we are going to use Adobe Photoshop but the techniques can easily be ported to Lightroom, Aperture or GIMP.

Requirements:
Any JPEG file is perfect for digital split toning. The effect works well for both portraits and landscapes, so don’t worry too much about your subject.
If you have a RAW file, please note that this process becomes even easier! The RAW panel has all the tools for you to create the split toning effect.
I am using Photoshop CS5 but any version should be fine. The only thing that may differ in your version is the filter name.
Method 1:
Method 1 is slightly longer but gives you more control over the end image. I prefer to use it for portraits rather than landscapes.
Step 1:
Open up your copy of Photoshop and load up your photo.
For those using CS4 or higher simply go: Image > Adjustments > Black and White. An alternative would be to simply add a hue and saturation layer, then reduce the saturation of the image to -100.

Step 2:
Select Layer > New Adjustment Layer > Hue and Saturation.
Duplicate this layer (CMD + J), then rename the top one as “highlights” and then the second as “shadows”. Select the layer mask on the highlights, then simply go Image > Apply Image. The image should then appear inside the layer mask.

Step 3:
Select the highlights hue and saturation layer. Use similar settings to mine below to get the same sepia colour from old fashion film split toning.
Make sure you have selected the "Colourize" tick box at the bottom if not you will end up with a completely different result!
- Hue: 30
- Saturation: 53
- Lightness:0

Step 4:
Select the second shadows hue and saturation layer. Again make sure the colourize box has been selected. This time we want to use a light blue colour.
- Hue: 207
- Saturation: 40
- Lightness: 0

Step 5:
Select the layer mask from the highlights hue and saturation layer and then hit CMD/CTRL + L on your keyboard. This will bring up the levels control for this layer mask. From here, control the slider in order to get the perfect result.
You have then successfully and easily created a fake split tone image!

Method 2:
Method 2 is easier to complete and would be the quickest way in my opinion to complete this process. This works better for landscape photography.
Step 1:
This is identical to the last method – we simply just need to turn our image to black and white. If you happen to have forgotten already then go to Image > Adjustments > Black and white.

Step 2:
The next step is also again very simple. Select Image > Adjustments > Colour Balance.
Then select shadows from the adjustment panel. First, we want to create the nice blue colour – I would advise copying my settings from below, as these have worked for me on a great number of occasions.
- Hue: -45
- Saturation: 0
- Lightness: +43

Step 3:
This time, select midtones and then we almost need to switch the settings over completely.
- Hue: +45
- Saturation: 0
- Lightness: -43

Step 4:
Last but not least, select the highlights and fill in the last of the settings.
- Hue: +40
- Saturation: 0
- Lightness: -40

Final Image
Remember you can always take this effect further by adding a noise layer or a distort glow.

Thanks For Reading!
Split toning via digital software is really an easy process once you learn how, and can be an interesting effect to spice up an otherwise dull photo. If you want to speed up the process even further, you could download my photoshop action for drag-and-drop split toning!

What about a gradient map? Surely that would be the quickest, most efficient and controlled way to achieve split toning.
You are correct you could use gradients but I argue that you wouldn’t get the same result.
With a gradient you are effectively laying colour over the top of the image, which is fine in most cases.
But with digital split toning you want to edit the highlights, mid tones and shadows separately which you cannot easily do with gradients.
In fact the easiest way, to complete the effect would be to download my action, in the “Thank for reading” section. This would take you 10 seconds to complete the effect each time.
I think Luke was referring to an adjustment layer gradient map (Layer > Adjustment Layer > Gradient Map.) This lets you create a gradient and set any color to represent black, any color to represent white, and then one (or many) to represent midtones if you choose. It doesn’t actually overlay a gradient on the image. it’s effectively a very flexible color replace.
Thanks. This is a great technique and I love the results you’re getting. I especially love the swan photo. Nice! I’m going to be trying this out on some wedding images for a antique-feeling scrapbooking album I’m working on.
Thanks again-
-Mary
I know about three other and more effective ways for spit toning. Least favorite TUT.
May I ask you to quickly summarise which methods they are? Your comment doesn’t help other users in any shape or form.
Featuring both these effects takes me 3 minutes at a maximum to apply (10 seconds with my action) I do believe it is pretty effective.
Man you have no common sense for creative input, what you say here don’t help anyone. I think this is good and if it only takes a few minutes whats to argue. If you are happy doing it your own way then stick to it.
Good stuff Peter
I have a different approach, but maybe its not really “split toning”? I dont convert to Black/White.
When I want to push some color into the shadows and highlights and use curves.
In the curves menu you can select Red, Blue and Green independantly, I simply push up the curve at the shadow end in the reds and/or blues, and push up the blue/greens in the highlights. You can control how much of the shadows/highlights are affected and to what extent. I think it gives me a degree of control I dont have with the simpler methods.
I am a beginner Adobe user….on my own doing I make B&W image add warm filter and touch of red from color balance and get the color sepia…..how bad idea is this???