In today’s quick tip we’ll be exploring three types of eye contact to consider when taking a portrait, along with different situations where each may be particularly appropriate. Eye contact can make a huge difference to the impression given by your image, and is worth considering – whether it’s for a formal portrait, or a candid snapshot!
1. Direct Eye Contact
With the subject looking directly into the lens of the camera, you create a connection between the person being photographed, and the person viewing the photo. This relationship is defined by the expression held – it could be seductive, angry, or even terrified.
For this reason, the technique is fantastic for putting the viewer into someone else’s shoes. Take this image, for instance. It makes the viewer wonder what they could have done that the child is afraid of them, and evokes the feeling of wanting to say “don’t worry!”
With direct eye contact, it’s obvious that the subject knew they were being photographed and, as such, they are usually adopting some form of “pose” (either natural or formal).
2. Eye Contact Between Subjects
Unlike direct eye contact, having two different subjects looking at each other is a way to depict the relationship between them. The viewer becomes an observer, and is no longer “involved” in the photograph.
This is commonly done to represent a loving relationship (see the two examples below, or almost any wedding shoot), but it could equally be chosen to represent hate, anger, or fear. If you’re wanting to capture some form of atmosphere in a scene, this can be a great way to do so.
This visual connection needn’t just be between two people. It could involve anything, from a child having fun with their dog, to someone thoughtfully arranging a bunch of flowers.
3. No Eye Contact
Finally, we come to the idea of a sole person looking away from the camera – any any other obvious subject. This very much puts the viewer in “observation mode”, and it can feel as though you’re gaining a glimpse into the thoughts and private moment of the person portrayed. Both of the examples below take on a thoughtful, pensive atmosphere.
Because the subject is looking “past” the camera, it introduces an element of the unknown into the photo. There’s no way to pinpoint exactly what has captured the person’s attention. The one exception would be in a photograph such as this one, where you can see the full picture through a reflection in either the subject’s eyes, or a pair of glasses.
How Do You Use Eye Contact?
Do you favour a particular type of eye contact in your photography? I’d love to see any photographs you have that use this technique in a particularly inventive way, so please feel free to share them below!









Great tips, they will benefit many people beginning to experiment with portrait photography.
very nice quik tips.. very helpful..
Eye contact is important when it comes to personifying or objectifying the subject.
It is easier for the audience to associate with the subject if it appears the subject is looking at them.
Conversely it is easier to objectify a subject if there is no eye contact.
I agree, definitely.
Excellent post. Great shots too.
If ever working with children, the “no eye contact” can be very difficult. If a prop is used, it simiplifies things. If there are no props (such as a familyl portrait with everyone looking into the water on a bridge), have the parent grab a stick or leaf and throw it. The child’s eyes will naturally follow. Or, find something attractive (small toy, cheerio), and hide it under something that IS in the shot (a blanket, a leaf, etc).
I’ve also found through the years that “traditional people” like full eye contact photos. It is more difficult to sell a “no eye contact” photo. However, with every photography sitting, including all three can convert a “traditional” thinker (which can lead to more sales!)
Another little tip, if you’re using “no eye contact”, there’s basically two ways you’ll frame the photo:
1. Create space in the direction they’re looking/facing. Say if they’re facing the camera, but looking to the right, frame them on the left and create space on the right. Also, if they’re looking at the camera but facing left, generally framing space on the left looks good to.
2. With the above in mind, sometimes it looks good doing the complete opposite if there is an object of interest in the space you’re creating. This creates a setting that the subject is “distracted”.
I’ve been experimenting with “no eye contact” recently, and I think it really rocks. It gives the pictures a more creative edge. Also, it tends to avoid a posed look, as mentioned above. Thanks for the tips