Working with Green Screens – Photo Premium
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Working with Green Screens – Photo Premium

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We have another Photo Premium tutorial exclusively available to Premium members today. In this tutorial, we’ll learn how to shoot photos with a green screens for background replacement. Learn more at the jump!

There are times when you have the model, but your location gets rained out. Or you have the perfect setting, but no model on-hand to put in the scene. That doesn’t have to mean a lost opportunity.

Maybe you’re shooting for a composite, ad or marketing piece and you don’t want to monkey around removing the background in post.

Though it is almost always preferable to have both your subject and your locale together at the same time so you can get it right in-camera, sometimes it can be easier to focus on getting the subject and the background the way you want separately. In just such a case, a green screen can be the perfect way to go.

Setting up the screen

The first step, before the subject even arrives, is to setup the green screen. Here, we’re just going to do a head and shoulders shot, so we’re going to use a small green screen to cover the area behind the subject.

I’m using a Westcott 5′x7′ Reversible Chroma Key Green/Blue collapsible background. When you buy one of these, the reason you will see most of them having both a green and blue side is that you want the background to have a solid color that is not found on your subject.

Most of the time the Chroma Key Green is nowhere to be found on your subject and it will do the trick. However, if your subject is wearing a light green, but no blue, you can just flip it around and still make it work. Either way, you want to make sure there is a distinct edge between your subject and the background so you can make accurate selections later.

Setting Up a Green Screen

Lighting the background

With the background in place, it’s time to light it. With my experience working in video, I am more comfortable shooting with continuous lighting when working with green screens. I set a pair of Lowel Omni Focus Flood lights on either side of the screen to evenly fill the background , making it even more distinct from the subject.

Strobes will also work, but the key is to get even light. This may mean using several lights or place the light far away from the green screen.

Lighting a Green Screen

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  • http://www.GeraldSchulze.com Gerald Schulze

    This tutorial was not well thought out at all. While the concept of evenly lighting the background is correct, the backlighting of the background caused a green cast across the side of the face. The photograph itself was terribly underexposed with poor light direction. I agree with using the color selection tool to remove the green background, but the whole point of the exercise is to make sure that the background is not a color included in the subject and the clothing that he is wearing. This makes for a very exact selection including the loose strands of hair and small movements in clothing. In this tutorial the writer cuts off parts of the subject and defeats the purpose of the green screen. I feel like this was not planned well, the writer did not know the subject well, and that no one should have to pay for this tutorial. It seems as if the standards of quality that used to be held by this organization are slipping, and I would really like to see more attention paid to what is going into there premium content articles.

  • http://www.greenscreenphotography.org/ Benny

    Good Read!
    Green Screen is fun. My kids have a blast.