Understanding the Factors that Affect Depth of Field

Understanding the Factors that Affect Depth of Field

When we’re starting out in photography, understanding depth of field is the one of the first things we try to understand. What we often don’t realize is that depth of field is affected by more things than just aperture. In today’s tutorial, you’ll get some quick tips about the other factors that cause changes in the depth of the field of your images.

What is depth of field (DOF)

The simplest definition for depth of field is the area of your image that is in focus. More specifically, the distance between the nearest and the farthest object that are in focus. The shallowness of  the depth of field depends of the f/stop also known as aperture, the focal length of the lens, the size of the camera sensor and distances between you, the subject and the background.


Aperture or also known as f stop

The first thing we are going to talk is the aperture value. What is aperture? Well, when you look at camera lens you are going to see a maximum aperture range for that lens. For example f/3.5 – 5.6.  The main purpose of the lens is to collect light and deliver it to the camera sensor.

The aperture of a lens is the diameter of its opening. Aperture is expressed as a f/stop. The smaller the f/stop number (or f/value), the larger the lens opening (aperture). Depth of field depends of the size of the opening of the aperture. The larger the aperture opening is the more shallow the depth of field will be and opposite vice versa.


Focal length

The next thing that defines depth of field is focal length. If you have zoom lens or two prime lenses that are different in focal length you can test this yourself. The basic idea is that the longer the focal length is, the shallow the depth of field will get. And of course, the opposite is true when we have short focal lengths. For example if you shoot something with a 50mm lens at f/2.8 and then shoot the same thing with 200mm lens at f/2.8 the difference in the depth of field is going to be dramatic.


Sensor size

Let’s think of a pocket camera. Have you ever noticed that when you shoot with such a camera you almost never get a shallow depth of field and everything is sharp in focus? That’s because the sensor of the pocket cameras is so small. But if we take a look at cameras with bigger sensors, for example full frame cameras or with a crop factor of 1.5/1.6, you will see that the depth of field is more shallow. To summarize, a bigger the sensor size allows you to achieve a shallower depth-of-field.


Distance between you and your subject

The closer you are to your subject the shallower your depth of field will be. If you’re 2 meters from a subject, shooting at f/2.8 with your 50mm lens, you may get 10cm of depth to your focus. With thensame lens and aperture at 10 meters, you may get 100cm of depth. If you’re looking to create soft backgrounds with a less than optimal lens, just get really close to your subject.


Distance between the object and background

The final thing we are going to talk about today is the distance between the object we are shooting and the background. The further away the background is from the subject, the more blurred the background is going to be. For example, if we shoot a model that is standing 3 meters away from us and the background is 5 meters behind the model, the background will be sharper than if the background were further away.

Conclusion

Understand how depth of field works is a crucial part of photography. Being able to choose when to include a background or make blurry and soft allows you have more control over how your images look. If you have good tips for using depth of field or have some images that feature one of these principles, please share them below in the comments!

Stefan Surmabojov is Stefoto on Videohive
  • Jack West

    Thank you! It was a nice post. The only thing is that according to a href=http://www.thoughtresults.com/deductional-language rel=nofollowDeductional Language Theory/a, DOF (depth of field) is not deducable. Maybe non-blured distance is more deducable.
    Anyway, good tips.

  • Thinkeye

    There is a misconception that the bigger sensor gets you shallower DOF!
    The bigger sensor gets you actually bigger (deeper) depth of field. But the smaller sensor has a bigger crop factor, which means that the focal length appears longer than it actually is. So if you have the same scene crop, you need shorter focal length for smaller sensor.
    The focal length difference outweighs the sensor size effect and therefore the smaller sensor cameras appear to have greater DOF.
    If you use the same lens with two different cameras, the picture taken with the bigger sensor will get deeper focus field.

    • Lee

      Sensor size does and it doesn’t make a difference to DOF.

      You can’t think that a cropped sensor makes a shallower DOF because of the longer focal length. Remember that the DOF is created by the combination of the aperture, the distance to the subject and the actual focal length of the lens itself. The lens projects an image in to the camera body that is completely independent of the sensor in the camera. When the image hits the sensor, the near and far points of the DOF have already been set by the lens. Thus, the sensor size has not altered the DOF.

      When a cropped sensor captures the image, it captures less than a full sized sensor. This increases the apparent focal length for the image, but not the actual focal length of the lens. This means that the near and far points of the DOF will be the same as an image projected on to a full sized sensor. The result is an image with a greater magnification due to the smaller sensor but with a relatively greater DOF.

      • http://ali.8pa8.com Ali

        “When the image hits the sensor, the near and far points of the DOF have already been set by the lens. Thus, the sensor size has not altered the DOF.”

        Before the image hits the sensor, the sensor size HAS altered the DOF because the lens is adjusted in the factory to concentrate the light on the sensor, whatever size it is. If I’m not mistaken the near and far points are set by the way lens elements break light relative to each other which are directly affected by the size of the box they should all project to (which is the sensor size).

        I’m not expert in physics of light, these are only my thoughts.

        • http://www.facebook.com/profile.php?id=519581240 Lars Anker-Rasch

          Put a 50mm f1.8 on a 1.5 crop. Take a photo on an object 2 meters away. Change the camera to a FF body, and take a picture of the same object at the same distance.

          Look at both pictures, in Photoshop or any other software, at 100%.

          What’s the difference in DOF in these two pictures?

          • AliNoorani

            sadly your experiment is a bit expensive for me. I don’t own a FF :)

  • Kevin

    Its also a misconception that focal length has something to do with DOF. It doesnt.

    • http://BenjPhoto.com carlos

      Kevin – Youll have to show me some pretty authoritative data on that. Every thing Ive seen, studied and experienced personally tells me that focal length has an incredible impact on DOF.

      Yeah, sensor size is a myth. If sensor size made a difference I could crop a photo to change its depth of field. However, sensor distance from the back of the lens may have some impact. This myth is also perpetuated by manufacturers using equivalents instead of actual focal lengths.

  • http://andrewchildress.com Andrew Childress

    Great article Stefan! Love your illustrations.

  • http://MarkFocus.net Mark Kalan

    Informative – but overcomplicated. The basic fact is that the larger the subject is in the frame the less the depth of field. Shoot a photo with a 50mm lens and crop it to look like a 200 and the DOF is the same (of course the QUALITY would be lesser) as if you shot it with a 200. Ditto for filling the frame with a WA lens.

    • http://ali.8pa8.com Ali

      I think you are wrong about cropping a 50mm photo to get a 200mm. increasing the focal length reduces the angle of view of the background more than the foreground (because of the camera’s One-point perspective) so tightening the crop for the foreground subject can’t compensate the wider angel of view in the background.
      Imagine that you have a photo of a ring shaped subject in front of a background. By zooming in, the portion/angel of view of background visible inside the ring will be reduced (just as by going wider and getting closer you can see more of the background inside the ring) but by cropping the frame around the ring nothing happens inside the ring.

  • Michael Owens

    Great little article that clearly explains everything I needed to know – and understand!
    I am saving this page for future reference!

    I would love to rip apart your document and make myself a laminated ‘reminder’ flashcard, do I have your permission? Self use – nothing more.

    :)

  • MickM

    Thank you Stefan. A perfect reference article for all of us amateurs. Clearly explained and illustrated. Like Michael O this will be a well used book mark for me.

  • http://- mat

    The focal length just gives you the framing that you are desire at some distance in that range, the tighter or the longer,for DOF I always keep in mind about my f-stop working distance to the subject-depend on the lens type zoom or prime,anyway good article.
    Thanks.

  • Kula

    Unfortunately this article is incorrect. Focal length does not affect DOF. Focal length changes the PERSPECTIVE not DOF
    ie. With a longer focal length, obects in the background appear larger which exagerates the blur. The amount of blur is the same for different focal lengths, it just appears larger as the perspective has changed.

  • Marta

    Thank you Stefan. Your explanation of Depth of Field and Aperture has finally allowed me to understand. I was beginning to think there was something wrong with me. Thank You, Thank You. M-