A Look at the Orbis Ring Flash

A Look at the Orbis Ring Flash

Today, we’ll review the Orbis Ring Flash a ring flash designed to fit onto any flashgun in order to transform the harsh light into softer and more beautiful light.


What is it?

Orbis is a non-electrical attachment that you simply slip your flashfun onto in order to transform the harsh light from your SLR flashgun to create beautiful, shadowless photos quickly and easily. You don’t need any specialised knowledge or technique. The Orbis fits any flashgun in seconds – no bulbs, no batteries, no training course.

The Orbis is available for $199.99 or £188.00 in the UK.

Copyright Peter Sawyer ©


What’s in the box?

If you choose to purchase the Orbis, you’ll receive a well packaged box with the Orbis system and then a few extras including a carry bag, extra padding for smaller flashguns, a neck strap and some really informative instructions with some really good tips on using the product as well as a load of info about histograms.


First thoughts

The Orbis arrived and I was surprised at the size measuring 20cm wide, 26cm tall and 6cm deep. The inner circle was amazingly even able to fit around my 10-22mm lens, which has a large 77mm thread size.

The Orbis is completely plastic and therefore it only weighs around 500 grams, which doesn’t add too much load to my gear while out and about. Unfortunately due to the size it doesn’t really fit into my camera bag, however I simply used the provided bag and tied it onto the outside.

At first I found it quite difficult to get my Nissin Di866 onto the orbis, however after a couple of goes it became a lot easier and you quickly learn the easiest way to get it on. In the box, there are a couple of pads that you can glue onto the edges of orbis if you own a smaller flashgun.


Using the product

To use the product you need to have a off-camera flash solution such as a off camera cord, wireless trigger or a optical trigger. Some cameras such as my own (Canon 7D) are able to shoot off camera using the IR however this is not always ideal.

When shooting with the Orbis, you have to have one hand gripping the flash and one hand on your camera. This is slightly annoying if like myself you own a larger DSLR which is quite heavy (then add the weight of you lens). It also restricts you from being able to easily zoom or manually focus. However the designers of Orbis have actually solved this issue by releasing a arm that attaches your flash/Orbis and your camera together. The arm is an extra $50, however if shooting portraits of people or animals then I would suggest purchasing the arm as otherwise your job becomes very difficult indeed.


Product Photography

The Orbis is very impressive when it comes to product photography. I placed my camera on a tripod and set then set the camera manually as well as manually focusing so that each picture came out the same. This gave me a free hand in order to play around with the Orbis.

The picture below was with the orbis from directly in front however it produced brilliant results from behind and above.

It was quite interesting to see that the Orbis produced the darkest shot – compared to even natural light. If you have a weaker flashgun I would be very tempted to adjust the shutter to allow more ambient light into the lens to act as fill.

Overall, I felt the Orbis improved my product photos and it produced quite natural looking shots.

Copyright Peter Sawyer © I am not paid to endorse Jack Daniels, it was the simply the first bottle I grabbed.


Portrait Photography

Unfortunately the people I took pictures of asked that their photos were not placed online, so I don’t have any of my own examples however you can get a good idea of the feel the Orbis gives you by looking at the Orbis Flickr Group. Be aware there are a couple of soft nude shots.

I found the Orbis to be great for portraits. The size of the device works well and it produces a nice soft ring around the subject.

Image shot by Dave77459


Macro Photography

Due to the larger size of the Orbis it is not quite as a good as a dedicated macro ring flash. A lot of the light is wasted compared to a portrait shot.

However that said it produced a nice soft lighting effect. However, I would point out that I felt all my photos needed slightly brightening in Adobe Photoshop.


Similar Products on the market:

Rayflash

The Rayflash is priced very closely to the Orbis at $199.95. (4 cents cheaper!). Unlike the Orbis the Rayflash has to be specific to the flashgun you own, which means that if you upgrade your flash in the future there is a good chance the Rayflash will not fit.

The ray flash is used on camera and places a fair load on your hot shoe as well as blocking any sensors on the front of your flash. Also due to the slight curve on the ray flash it doesn’t pack quite as easily into your bag.

The Ring Flash Adapter – O flash.

Priced at just $40.00 there is a big difference in price. If you are looking for that soft ring flash glow for an inexpensive price then you might have just found your solution.

However like the Rayflash it shares the same problems, such as the heavy load on your hot shoe as well as the non-flat shape.


Overall thoughts

Positive:

  • The Orbis feels well made and that it isn’t going to shatter without some brute force.
  • It produces some great professional results with beautiful soft light.
  • It fits almost all flashguns on the market. (except really chunky flashes such as the Vivitar 285 or Cactus KF3)
  • You can use it effectively as small soft box.
  • Great for use as a main light or a fill light.

Negative:

  • It feels a tad pricey for a plastic ring.
  • Hard to use without the Orbis Bracket.
  • Needs a powerful flashgun for best results.
  • You need to own or purchase an off-camera cable or wireless trigger to achieve the best results.

The Orbis produces deals wonderfully with product photography, portraits and macro. I would recommend it to amateur photographers and anyone on a budget, however if you are a professional or shoot lots of weddings/portraits then personally I would spend the extra money and purchase a full lighting system such Alien Bees Ringflash unit or a Canon MR-14EX.

Thanks For Reading!

Have you used the Orbis flash system or another ring flash? Place your own thoughts about your favourite products.

  • http://www.theusualshutterspecs.com The Usual Shutter Specs

    A great review of a great product and if you are in the UK we have them in stock. Phototuts we will link back to this review from our site.

  • http://www.fatphotographer.net Ashley Beolens

    Seems very expensive, especially when you consider you can make your own with cardboard and silver foil, or fibre optic cables. Well reviewed though.

  • Doc

    Well I own the DIY ringflash it works very well regardless of the price which is $25.
    http://www.diy-lighting-kits.com/ring-flash/

  • http://www.kekoadesign.com Brett Lieberman

    I fully agree with this write about the Orbis flash, but as pointed out by Ashley and in the writeup $199.99 for a plastic ring is a little ridiculous. I was considering picking up one of these Orbis adapters for my Nikon SB900 and I came across a write-up on DIY photography about this DIY Ring Flash Kit (http://www.diy-lighting-kits.com/ring-flash/) It might not look as professional but it gets the job done for a fraction of the cost.

    I would love to see some side by side comparisons of the Ray Flash, Orbis, and DIY Lighting kit.

  • http://shaneparkerphoto.com Shane Parker

    I never understood the “you can build it yourself” crowd. Sure, you can build lots of things yourself and save money. Hell, you could buy a little lumber, a hammer and some nails and build dining room chairs instead of spending $$$$’s on a finished set. For some reason, this argument seems to come up all the time in online photography-related forums. I suspect the argument is used by new photographers who are either broke or… I dunno?? I certainly don’t hear those arguments from other pro photogs. Convenience, finish, usability and even image (clients look at you funny when you bring hobbled-together Tupperware to a shoot) are important to me.

    With that said, I don’t like the Orbis (or other clip-on light reducers, as I like to call them) for other reasons, mostly having to do with light loss and light quality.

    • http://Psdtutorials.co.uk Peter sawyer

      100% agree with the statement about image.

      I personally think even the Orbis gives off a cheap feeling for higher end clients or even weddings where the end client is paying thousands and would recommend a true lighting rig instead.

      But the Orbis did really surprise me with build quality. Its very well built and I can understand why they are popular and people buy them over cheaper plastic DIY kits.

  • Jen Busher

    Shane, I agree with you. The DIY stuff is fun, and I’m all about saving money. A real ring flashes are expensive and usually not very big. To get a same quality produce that size and shape of light, the Orbis is a good option. If you do product work or something that doesn’t involve looking professional, then DIY might be something to experiment with, but clients don’t want to see tin foil… anywhere.

    That said, I love cheap alternatives. I love all manual cheap flashes, and the cheap Cactus-type wireless transmitters. I’m also a photojournalist, so most DIY things are just not tough enough to throw in a bag and forget about. Foamboard reflectors are not an option, a paper and tin foil ring flash is not an option, even “Home Depot” lights are not an option.

    Personally, I think ring flashes should be used for what they were originally designed for: macro work. Direct flash in any shape or configuration is usually not a good option. Most successful images I’ve seen that use ring flashes are only utilizing them for fill light.

    If you really want a ring flash, the Orbis is fine, but I think they’re a bit of passing fad.

  • Jore Puusa

    Ring flash is NOT for product shots.
    Take a look at the picture of Mp3Player.
    It´s totally black here and it should be shot in a light tent so that white reflects on it.
    Never a direct flash of any kind to a product which has reflecting surfaces.
    Ring flash if originally for medical macro work and fashionshots when model is near to wall.
    Hope You do not sell those pictures.
    It´s always good to use professional photographers so that this industry does not die.

    • http://www.danielsone.com Daniel S.

      I agree that the “product shot” example is a poor one. However, light tents are rarely used when professionally photographing products because they offer so little control over reflections.
      Example:
      http://www.peterbelanger.com/posts/73-macworld-iphone-4-cover

      Also, a ring flash in fashion isn’t just for a model close to a wall. Many times it is used a fill and can actually be used a main portrait light, even when far from a wall.
      Example:
      http://youtu.be/4WAKTLBP1AU

    • http://Psdtutorials.co.uk Peter sawyer

      Ring flash not for product shots? I don’t quite understand the logic there featuring you can find many companies designing ring flash products for product and macro work.

      I will happily admit the photos in this article are not the most amazing, due to the lack of time I had while writing and shooting for this article. For stock images I would shoot on a white screen, however I felt the main % of readers on this site are not looking to sell stock or shoot plain images on a white background, so I didn’t.

      The Orbis doesn’t create a harsh flash and therefore I would be happy to recommend it for product photography or maco work.

      Have a look at the gallery on the official website to see more photos.

  • Jore Puusa

    Ring flash is not for product shots and has never been. No direct flash is or has been.

    If it is used so,— the photographer is an amateur who has not had any education in photography. And these amateurs who give their pictures (which have no professional standard) cheaply for customers take part in killing professional photography.
    This crap here is not because of lack of time,— it is NOT knowing how to shoot properly.
    My students use to say: ” I had no time to shoot properly.” And I say: “if one knows what to do, time is not a question.”

    Light tent makes much better reflections than nothing at all or direct flash.
    Totally different thing is for instance shooting a car. Reflections have to be huge.
    I would love to see You with Your Orbis to take a product shot of latest Chevy ;-)
    When a product has reflective surface like an mp3 player here and photographer wants to show good quality, he uses light so that it lightens white paper etc. and this white paper reflects on the subject.

    This conversation is great cause it shows how little amateurs know about facts of photography and still try to tell how audience should do. ( all wrong)
    The professional photography is slowly dying cause everybody thinks that photography is all about gear.
    Well it is not, it is about 4-5 years in school and then lots of practice.

    Jore Puusa
    Teacher of photography in UNI.
    Professional photgrapher for 37 years.

  • http://sripalindia.blogspot.com/ Sripal

    Ring flash started its life in dental photography and then came to macro photography

    Because ring flash is very close to lens optic axis which important, since at large magnifications the distance of flash from lens becomes multiplied

    Ring flash is like a soft box for macro photography.

  • http://sripalindia.blogspot.com/ Sripal

    i saw people referring to fashion photography here

    Ring flash can be used to bring sparkle to the eye

    apart from this Ring flash has nothing to do with portraits and product photography.

    want soft light use soft box or bouce the flash from white reflector or gold reflector (for warm look).

  • Jore Puusa

    Quote
    i saw people referring to fashion photography here
    Ring flash can be used to bring sparkle to the eye
    Quote
    —-
    Any flash can do it. But WHY was ringflash used for fashion in 80´s?
    Because it produces soft shadow on both/all sides of model when she is standing near to background and was used also for highkey photography with some shadow.
    Nikon had a lens called Medical Nikkor. It had a ringflash built in. It was and is widely used for medical purposes and police work also.
    Ringflash produces shadows and it also produces circular catchlight in the eye or other material.
    A bit like mirrorlens does on hilites.
    —–
    Quote.
    Since at large magnifications the distance of flash from lens becomes multiplied
    Quote.
    —–
    What on earth does this mean? New physics?

  • http://sripalindia.blogspot.com/ Sripal
    • jore puusa

      Yep…. so?
      I still don´t understand what Your “Since at large magnifications the distance of flash from lens becomes multiplied” means…
      -
      “Distance of flash from the lens”… what do You mean by that? 1 meter or 5 meters?
      “Becomes multiplied”…no idea. Multiplied by what? 2 or 20.

  • jore puusa

    What about this conversation. It showed clearly how narrow is the knowledge of amateur photographers and how dangerous it is to trust their information. Amateurs who give their pictures for free or cheaply are killing the industry. After a few years we do not have any professionals left and pictures are total crap.
    Is that where we want to go?

  • http://sripalindia.blogspot.com/ Sripal

    my friend is a dentist he uses ring flash since ordinary flash won’t illuminate the patient’s mouth

    H,as ring flash is closer to lens it helps to get flash light into the mouth at which the lens is pointed

  • Jore Puusa

    Ordinary flash can be removed from hotshoe and put next to lens and synced by wire or infrared.
    Should have some softening material on it though.