Quick Tip: Dramatic Portraits With Off Camera Flash

Quick Tip: Dramatic Portraits With Off Camera Flash

This quick tip article is all about getting your flash off the camera, and using it in creative ways to capture great, dramatic portraits. Whether you use a dusty old garage sale hot shoe speed light or the latest electronic strobe kit matters much less than how you place, and direct your light. Lets take a look at a few items you’ll need to get started!


Tools You Need

I am a Nikon shooter, and one great thing about most Nikon cameras is that you can trigger almost any Nikon hot shoe flash wirelessly by dialing your cameras flash into ‘commander’ mode. This method will work up to about 15 feet, and can be a cheap work-around if you are on a budget.

Regardless of what camera you shoot with, you are going to need radio triggers to trigger your flash, and of course, a flash. You could use a cable trigger, but this is a little limiting.

The photo below shows a standard flash, and a set of the best available wireless radio triggers, Pocket Wizards. The transmitter is attached to the camera hot shoe, and the transceiver is attached to your flash. When you press the shutter the wireless flash is told to fire!

off-camera flash portrait

The photo below shows both an umbrella mount, and a umbrella. You can use any light modifier you like, but if you like nice, soft light for portraits, using an umbrella is a great tool to achieve it.

off-camera flash portrait

Get Shooting

The next few images were shot using a wireless flash setup like the one I have discussed above. This lighting setup is simple – just place a large light source 45 degrees to your left, and a backlight behind your subject. In both cases no fill light was used.

off-camera flash portrait
off-camera flash portrait

Mixing Flash With Available Light

When mixing flash with ambient light, a whole world of technical possibilities can open up. The key thing to know is that your aperture will control flash exposure, and your shutter speed will control the ambient light. Normally when I find a location I want to use I first find the best exposure for the scene, (ex: f5.6 @ 1/125 sec). I then set my wireless flash to produce a exposure of f5.6, but I will shorten the shutter speed by two stops or so.

For the photo below we set the camera to f5.6 @ 1/200th sec, to darken the ambient light, using the flash to create a rim light separating the body and face from the dark background.

off-camera flash portrait

Additional Resources

off-camera flash portrait

Strobist is an amazing website with enough resources to keep you busy for months. If you couldn’t study photography in an academic way but want to learn everything there is to professional lighting, I’d like to introduce you to David Hobby. He is the man.

off-camera flash portrait

Off Camera Flash is another site with plenty of great off camera flash techniques and lessons. It’s a great resource and the photography is easy on the eyes too.


Thanks For Reading

I hope these tips will help those wanting to start using off camera flash. Lighting your subjects with remote flashes can be fun, easy, and often result in great portraits!

Tags: Tips
  • very

    Great article. Short and sweet. Would love to see more about light setups.

  • 7

    I posted a comment on this earlier, but apparently it was lost to the ether..? I’ll check later and repost if it’s not here yet..

  • http://i3mphotostock.com Symon

    Good to see lighting making a tut, albeit brief. Lighting is an art in itself so more tuts would always be welcome. Thanks again Micheal.

  • http://www.thedphoto.com Diana EFtaiha

    nice article and great shots as well =)

  • http://www.thedphoto.com Diana EFtaiha

    great article and nice shots as well =)

  • 7

    (comment was lost to the ether yesterday, so I’ll attempt to re-write it)

    Good info here with a quick caveat about some of the equipment:
    the pocketwizards shown above (plus II transceivers I believe) do not support any form of TTL function. Manual all the way (not that it’s a bad thing). Just something to keep in mind.

    Umbrellas are great, quite inexpensive most of the time. For better control of the light you can also use your speedlight with a softbox, though the mounting setup can be a little trickier.

    Great to see strobist mentioned here, thats a good resource. :)

    I’ll put in a plug for my favorite photographer, his site has been a great resource to me in many ways, regarding on and off camera lighting. Here’s a link to his articles:

    http://neilvn.com/tangents/flash-photography-techniques/further-pages/

  • http://www.flickr.com/photos/kountchakalot/ brawk

    I highly recommend Cactus V4 wireless or any of the many cheap chinese “ebay” triggers as opposed to pocket wizards, as it won’t drain you $400…
    Definitely worth it.

  • http://michealbphoto.com Micheal

    Hey Brawk. I would love to recommend the Cactus Triggers, but mine were always pretty shakey, and would only work within a range of about 5 feet. Maybe I’ll pick up the V4 and give them a try. Thx!

  • http://vrillusions.com Todd Eddy

    @brawk and @micheal: I used the V4 ones for a little while but the big annoyance I had with them was the interference with the remote shutter release. I couldnt trigger the shutter from the remote and get a remote flash as well. I basically had to set the camera to a 2 second timer. Hit the remote and then stand still for two seconds waiting for the flash to go off.

    Ive moved to the Yongnuo RF-602 transmitters. They use 900mhz and are both a wireless remote and remote flash trigger and not much more expensive than v4. Doesnt give me the same interference problems like the v4 did. Also it will work on flashes that auto power off relatively fast (my canon 430EX II does this). Without having to find the custom function to disable the auto power off with the rf-602 it will wake up the flash when you press the shutter button halfway.

    And although I dont have experience with these just yet, the westcott apollo softboxes are supposed to be fairly simple to setup for speedlights. They mount like a regular umbrella and flash fits inside it. Lumiquest softbox III is also a nice solution if youre looking for a softbox look.

    • 7

      I believe the Wescott Apollo softboxes completely enclose your speedlite, making it a little cumbersome to change settings on the fly. On the other hand, they mount easily to a simple umbrella stand, no fancy speedrings/adapters/crazy DIY shenanigans to use them with a speedlite.

  • Dom F

    Hey!

    I really like the colour correction on the last image in this tutorial. Would you mind discribing the process you used for this please?

    Cheers, Dom

  • http://nathanleducphotography.com Nathan

    This was very informative article. I especially liked your section on ‘Mixing Flash With Available Light’. I think these particular situations produce some of the best looking photos.

  • http://fotostatik.com Micheal Beaulieu

    Hi Dom F,

    Thx for the kind words everyone. The colour correction is really more of a selective desaturation. The ambient room temperature was quite warm, and the colour temperature of the flash is of course much cooler. Try desaturating selective parts of your image next time you sit down to edit.

  • Hisham

    Thanks for the article .. and also for the useful comments.
    I want to know what is the difference between on and off camera lighting please.
    Thanks for response in advance.

  • http://www.flickr.com/photos/ianhart/ Ian

    Most of my images are taken with a single light source. Thanks to the great tips here as well as the ones in the additional resource section
    http://www.flickr.com/photos/ianhart/

  • http://- Victor

    Now I am clear about the range of the CLS. CLS is for auto flash exposure and trigger remote flash units.
    So, using CLS+PW, your doing an iterative process with the remote flash in manual?.

  • http://www.optimawebsites.co.uk H

    Can I please ask do you use a light meter to work out your exposure?

  • http://www.JeffTurnbull.co.uk Jeff Turnbull

    Great article and straight to the point. Would love to see more about light setups and additional examples. Thanks

  • Abulrook

    Hello there,
    Can you set the camera to more than 1/200th sec off-camera flash to get ‘Low key’ effect?
    Does Pocket Wizard help to shot more than 1/250s? (I’m using D7000)