Product Review: Modahaus Table Top Studios

Product Review: Modahaus Table Top Studios

This entry is part 17 of 19 in the In the Studio Session
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As a product photographer, I have tried just about every kind of backdrop/table-top/tent system available. Today, I’ll be focusing (no pun intended) on the Desktop Studio 216 and Studio Pro 600 table top systems by the fine folks at Modahaus. Although this is a product review, you should be able to gleam a few tips & tricks to help with your own product photography.


What’s in the Box?

For a limited time, Modahaus is including a bonus pack of 4 translucent colored backdrops at no additional cost. This is one thing that sets their product apart from other table top systems I’ve used. Generally, they come with one white backdrop or, at most, a two-sided backdrop with white on one side and either black or blue on the other. Although it does come with an opaque backdrop, I was excited to try out the translucent ones. I have yet to own a table top system that provides both opaque and translucent backdrops, especially in color. Up to this point, I’ve relied on gels and other lighting tricks to color my backdrops.

First Up – Desktop Studio 216

The 216 is the “baby” of the bunch, it’s very compact and probably the lightest and easiest table top studio I’ve ever used. Here are the specs from the Modahaus website:

  • Unique backdrop support system.
  • 216mm/8.5″ wide – small desktop footprint.
  • Translucent AND opaque white backdrops.
  • Bonus pack of 4 translucent coloured backdrops included absolutely FREE, for a limited period.
  • Robust, lightweight, fully portable.
  • Assembled in seconds, flat pack in carry bag.
  • Easy care wipe clean environmentally friendly Polymer.
  • Resistant to water, most oils, greases, chemicals and anti-static.

The packaging is simple and elegant. It’s easy to remove, store and transport the product in the provided packaging and it looks like it will hold up to consistent use over time.

All photos ©Shane Parker Photography

In this day and age of little or no product instructions, I was very surprised to see that it actually comes with full color, photo-based instructions!

To be honest, I didn’t even have to look at the instructions. Setup was pretty straight forward. Using a simple tab-based locking system, it was clear what was required to get the table top system put together. It literally took less than a minute so I am not going to waste time explaining the processes.

The whole point of these small, compact table top systems is portability. I setup a quick example to see if I could use this system with a single on-camera speedlight combined with ambient light. While using a single 580ex as my key light, I was able to use a side window as my backlight. It worked beautifully when I allowed the ambient light from the side window to shine through the translucent backdrop.

I was able to balance how much backlight was coming through by adjusting FE compensation and shutter speed on the camera (while retaining the aperture I was after). Less power from the speedlight allowed more backlight through while more power over-powered the backlight and showed more of the color in the translucent backdrop. As you can see below, I allowed more backlight on the blue backdrop and less backlight on the pink backdrop.

You can’t get any more stripped down and simple than this setup, perfect for a compact road kit.

The Blowout Test

One of the most common types of product shot techniques is blowing out the background. A lot of manufacturers ask for a product-only shot so that it can be used in various types of on-screen and print ads. While there is a bit more to it, the basic premise is to over expose the background by half a stop or a full stop. Other photographers will go higher than that, but I don’t like to because it often results in light reflection and spill coming back on the product, causing feathered edges.

However, I didn’t use that method for blowing out the background. Because the entire system is translucent, I decided to try a “bottom-up” approach. I literally set the entire table top system on one of my strobes to see if I could over-expose the background that way. I also used a single 580ex as a key light. This is a whole new way of thinking, for me, but it worked very well. This method got rid of the shadows completely, something that takes a little more effort using the old method. For a product-only shot, it makes my life easier not having to worry about using multiple strobes, flags and reflectors to try and get rid of all the shadows and blow out the background.

The Crystal Test

Another test is one that will test how well the system works with crystal/glass and other highly reflective and transparent subjects. For this shot, I decided to use the same bottom-up approach with the strobe directly under the table top studio. I also used the opaque white backdrop as a reflector over the top so that I could keep the simple two-light setup.

It was effective, but I was afraid that I would lose the edges and unique crystal patterns by using an all-white canvas. Typically, you want to use a dark flags to bring out subtleties in glass, crystal and other transparent objects. To show what I’m talking about, I draped the black packaging over the top.

You can really see the difference when placed side-by-side (dark reflector on left, white reflector on right). The one on the left clearly defines the edges of the glass and other subtleties.

This next one shows how I placed the table top system on the strobe.

My brief period spent with the Desktop Studio 216 was a positive one. This table top system is really simple, extremely mobile and very elegant in its design, I can envision using it a lot.

Next Up – Studio Pro 600

If the 216 is the baby of the group, the 600 is the “Big Daddy”. Even so, because of the material and engineering of the system, it is still extremely light and easy to transport. Again, the specs from the Modahaus website:

  • Unique backdrop support system.
  • 600mm/23.6″ wide
  • Translucent AND opaque white backdrops.
  • Bonus pack of 4 translucent coloured backdrops included absolutely FREE, for a limited period.
  • Robust, lightweight, fully portable.
  • Assembled in seconds, flat pack in carry bag.
  • Easy care wipe clean environmentally friendly Polymer.
  • Resistant to water, most oils, greases, chemicals and anti-static.

The packaging is the same as the 216, just larger. It comes with the same great instructions and setup was easy.

Because the material is the same for both products, I will refrain from reviewing the same things over again for the Studio Pro 600. Clearly, they would result in the same kind of light and reflection properties. Instead, I’ll focus on having a little fun with it so you can see what is possible.

Please note, I would not consider any of these product shots as “complete.” For example, regarding the watch photos, I would use practices such as removing the battery and placing the watch hands at 10:00 and 2:00, Photoshopping out all defects, etc. But the focus of this review is the backdrop, so I didn’t worry about the products too much.

Another important note is that all of these shots are basically straight out of the camera. I didn’t Photoshop anything; the only editing was basic things such as white balance and a few levels adjustments here and there. I want you to see what’s possible with the backgrounds without using post processing to make things happen. I did bring out a few more strobes though; at most I had three strobes firing to create these images.

Obviously, the main advantage of the 600 is that it is much larger, allowing for larger products.

One really nice thing about using the 600 is that even when working with smaller subjects there is a lot of room to experiment with light. I actually prefer using larger table top systems for the small products I shoot, it allows for a lot of freedom. That is one reason I am not a fan of light boxes and tents, I feel too cramped when I have to work within the four walls of a light box. These open-air table top systems are so much more versatile as long as you watch your reflections.

Let’s Get Creative

This is where the Modahaus system really shines. Because the backdrops are translucent, you can mix-n-match to your hearts desire. I came up with some pretty cool combinations.

As you can see, I used a few strobes on these. In particular, I liked using the 580ex to shoot across the background or through it to create some neat color and lighting effects. You can also see how I started layering the backdrops to come up with some creative out of focus areas.

Towards the end I started getting a bit out of hand. If I had the time, I could have spent most the day playing around with combinations.


Wish List

I couldn’t find much of anything wrong with the Modahaus table top products. Normally, I would have a “negatives” column towards the end of the review, but this is more of a “wish list” because I don’t see them as faults of the product.

  • Dark backdrops. As mentioned earlier, I would like to have darker backdrops along with the light ones. For the translucent/transparent products, it’s nice to use darker backdrops as flags to define edges of the products. I often shoot on earth-tones and other colors that aren’t so pastel in color. What would be really nice is if Modahaus offered “color packs” for sale separately, that way the photographer could make his own choice.
  • Material longevity. I have no idea how long these will hold up, but I suspect that the tabs will wear out after a lot of use. On one hand, it would be nice to see some sort of light-weight frame system added in the future. On the other hand, that would add cost, weight and maybe complexity to the package, so this is probably a tough call on their part. In the end, the product seems pretty tough and I guess time will tell whether it holds up.

Should I Buy the Modahaus Table Top Studio?

Yes! I find that the product is so versatile (and fun!) to use that it’s a no-brainer, especially at this price-point. These packages are very affordable for what they provide: easy-to-use, quick-to-setup with studio-quality results. I wouldn’t hesitate to recommend any of their table top packages, I have enjoyed using them and will continue to do so. I look forward to seeing where they take their products in the future. Check out their site where they have product videos and other info to help you figure out which package is right for you: www.Modahaus.com.

  • joebodego

    For $20 I can easily make something like this. This is theft on an immoral basis, shameful, today I am ashamed to be a photographer.

    • Alek97

      joebodego, that’s a very harsh response for a product that is very affordable. For a few bucks more than your “I could do that with $20″ statement, you get a product that’s ready to use, out of the box. Do you feel the same way about a tripod, or any of a million other products that we could build for ourselves on the cheap? That’s just an asinine way of thinking.

      What is your “professional” photo website? I’m curious what caliber of “photographer” is complaining about this?

      • http://shaneparkerphoto.com Shane Parker
        Author

        Alek97, it’s ok, he is entitled to his opinion. However, I am also very dumbfounded as to why one would criticize a product so harshly based on the theory that you could make one cheaper yourself; that sums up a lot of things that we buy as consumers. Further, the material used by Modahaus was quite thick and high quality, you’d probably be hard pressed to find all of the pieces included in the kit for much cheaper in raw form than what they sell it for. Honestly, I’m jealous I didn’t think of the idea first!

    • http://www.nickballon.com Nick

      Great idea indeed! Although, i’m going to have to agree with joe here, in that for the smallest model, 50 bucks is a bit steep… Just looking at the product itself, it wouldn’t be hard to create your own cut-out template for cheaper. Sounds like a weekend project to me!

  • Alek97

    Really nice review! Their setup looks pretty nice too… off to their website to see what they got!

  • jorge

    piece of crap!

    • http://shaneparkerphoto.com Shane Parker
      Author

      jorge, could you expand? Have you used the product?

  • Joe Bodego

    when I see products like this that costs over a hundred bucks my stomach turns. I could go down to the Dollar store get to pieces of foam boards, another plain white board a masking tape and two large thumb tack and create the same backdrop for under $10.00. The use of plastics shows how green this company is, i would imagine these are made in china for under a buck a piece. I respected this site because I learned so much from articles here, not a commercial/Ad disguised as an article. What could I learn from this?…Nothing. Never mind what kind of photographer I am, I am a web developer by trade and a photographer in learning. Once again this is an theft, garden variety, shameless, immoral theft.

    • Iain

      Joe – I think you’ll find the product is made in Europe and I very much doubt they cost “under a buck a piece”. To call what seems to be a well-conceived and well-made product “theft” is just ridiculous and your logic is entirely flawed. And to criticise the green credentials of a product whilst proposing to use foam and masking tape is just silly….foam is hardly a ‘green’ product, quite the opposite.

      Presumably you charge the absolute minimum you possibly can for your ‘web development services’….you simply charge the client the very least you can that would allow you a roof over your head and food in your belly…and not a dollar more? No meals out, no car (you can do everything via email right?), No meals out, basic clothes that you wash yourself using an old mangle? No? Anything else would be “theft” surely?

  • http://www.tkphotography.at Boomer

    Well some of the comments are a bit harsh.
    No one is forcing you to buy it if you don’t want.

    On the other hand there are people who either don’t want to spend the time building it themselves, or are just lacking the building talent.

    The author spent some time with the product and gave his opinion.

    True for an opaque background you just need some sort of drawing paper and something to lean it against, But for the translucent you would need to build an open frame so you can get light from the backside and bottom.

  • writersbloc

    I was actually surprised the price gouging was so restrained. I expected to see well over $100 for all models- just what I’ve come to expect from these seemingly “cheap” solutions- you pay a huge premium for someone’s simple idea realized- regardless of the manufacturer paying pennies for materials.

  • http://www.flickr.com/photos/prashantadukia/ prashant

    this looks great stuff. never knew about it. willlookforward to buy one :)

  • Vanraven

    I am using the MODAHAUS STUDIO PRO 400 and I love using it. I have a light tent I stopped using years ago because it is so cumbersome to set up and I just did not like how my work looked using it. This system is a snap to use, versatile, quality materials, and I love the results. I do a ton of small product photography to sell my work and this is by far the best I have ever used. Not only do I love the results I am getting, but the creative potential puts this system in a class all its own. My wife, who is not a photographer, also uses it now to photograph her jewelry. That she is getting stellar shots as a novice speaks volumes. This system has cut the time down both in the set up and actual shoot time. Time is money and the cost of the system which is moderate in my opinion more than pays for itself in short order. Simply put, this is a no brainer. The final test for me was customer response which was immediate: “love the photos!!” And the resulting sales sealed the deal. Sign me one happy end user.

  • http://www.sealevel320.com Cheryl

    Thank you for this article about Modahaus! I just ordered the 400 and cannot wait to get it. The negative comments were actually helpful. Although I “could” run to multiple stores (I’m living in Puerto Rico right now and it can be challenging to find supplies) and make my own, I wanted something simple, easy and able to take with me on my many travels.

  • http://www.seaneoliver.com Sean

    I was actually on the fence about this product. Thanks for the review. Also: Man you love that watch.

    • http://shaneparkerphoto.com Shane Parker
      Author

      Ha! Actually, I believe it’s the first article I’ve done with that watch (you’re probably thinking of the Bulova?) Hell, I think I’ve only worn the Invicta once or twice since I’ve had it.

  • Mike

    I really enjoyed your review, which is good, because I had found the product earlier in the day and purchased the 600 version. I also like your idea of mounting the product on the softbox of a strobe head, that helps me with the way I am looking to use the unit. Which setting did you find the best, how did you set you the strobe and any other lights. I often use a Lastolite Hi Lite and have a two stop difference between the key light and the background. Would this be about right for product photography.

  • http://www.shaneparkerphoto.com Shane Parker
    Author

    Hi Mike,

    I am on the road this week and don’t recall the settings, but I can tell you that I don’t typically like to go a full 2-stop difference between key and backdrop. The reason is that, the larger the difference, the more spill/reflected light from the backdrop. I like to isolate the light on my backdrop from my subject, completely, so that there’s no reflected light spill onto the subject. I typically use about a 1-1.5 stop difference and adjust other strobes and ambient accordingly. If you can get your subject far enough away from the backdrop, I’m sure 2-stops would work fine as well, I just prefer not to go above 1.5 if I don’t have to and it’s hard to get your subject very far away from the backdrop when you’re working with small products.

    Hope that helps!